@article{oai:yasuda-u.repo.nii.ac.jp:00000498,
 author = {長友, 洋喜 and Nagatomo, Hiroki},
 issue = {48},
 journal = {安田女子大学紀要, Journal of Yasuda Women's University},
 month = {Feb},
 note = {When we think about the phenomenon of artistic singing, one of the most important issues is how singers “placing” their own voice. The urpose of this paper is to consider the conceptual definition of effect of “placing” voice at somewhere of head or face.
　From this purpose, this paper focuses on Frederick Husler. This paper is interested in Anzatz in his thought. According to Husler's argument, three points can be  nvolved.
　First, Husler points out voice cannot be placed somewhere on a body, for voice is a kind of sound, and sound cannot remain somewhere. For Husler, sound cannot be placed from a viewpoint of physics or acoustics.
　Second, Husler explains that we can assume how vocal organs move when singers are “placing” their voice on somewhere. He refers to his rich knowledge about anatomic, and describes in detail how each vocal organs moves. For Husler, it is possible to assume that the Anzatz can actually stimulate certain vocal organs.
　Third, Husler oncentrates on the efficiency of Anzatz in vocal training. We should rely on the educational importance of Anzatz as a method of training a singer’s voice, according to Husler’s thought. For a long time, Anzatz has been used traditionally, and as a result, many teachers have succeeded to develop a lot of singer’s voice, says Husler.
　In conclusion, Husler argued that Anzatz can actually controls the vocal organs. This Husler’s thought that is considered in this paper shows us that we should reassess the influence of “placing” as a way of controlling vocal organs in artistic singing.},
 pages = {209--218},
 title = {学校音楽科教育における歌唱指導に関する予備的考察　－フレデリック・フスラーの「アンザッツ」の思想を中心に－},
 year = {2020},
 yomi = {ナガトモ, ヒロキ}
}