{"created":"2023-08-18T06:44:52.737053+00:00","id":2000003,"links":{},"metadata":{"_buckets":{"deposit":"78581e76-3512-4026-b29c-100ba2d90fde"},"_deposit":{"created_by":18,"id":"2000003","owner":"18","owners":[18],"pid":{"revision_id":0,"type":"depid","value":"2000003"},"status":"published"},"_oai":{"id":"oai:yasuda-u.repo.nii.ac.jp:02000003","sets":["76:1692324926354"]},"author_link":[],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2023-09-01","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"52","bibliographicPageEnd":"22","bibliographicPageStart":"15","bibliographic_titles":[{"bibliographic_title":"安田学術研究論集","bibliographic_titleLang":"ja"},{"bibliographic_title":"Journal of Yasuda Women's University","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　本論考では、芸術音楽史における「概念的革新者」たるシェーンベルクによってもたらされた「パラダイム転換」によって、芸術音楽の歴史の中で、音楽の「アンシャンレジーム」が芸術家達によって見捨てられるという革命的な切断が生じた歴史的背景を明確にし、このようなパラダイム転換が起きた理由を論じるとともに、袋小路に陥った芸術音楽史において「概念的革新」がそれでも意味を持つと言えるのかどうか議論する。","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.24613/0002000003","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"安田女子大学"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AB00023009","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"27582639","subitem_source_identifier_type":"PISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"青木, 克仁","creatorNameLang":"ja"},{"creatorName":"アオキ, カツヒト","creatorNameLang":"ja-Kana"},{"creatorName":"Aoki, Katsuhito","creatorNameLang":"en"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2023-09-20"}],"displaytype":"detail","filename":"27582639052003.pdf","format":"application/pdf","mimetype":"application/pdf","url":{"url":"https://yasuda-u.repo.nii.ac.jp/record/2000003/files/27582639052003.pdf"},"version_id":"cc60bcca-9c50-4804-bb9a-d39a0feb0f36"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"近代西洋芸術","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"芸術音楽","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"音楽文法","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"概念的革新","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"前衛","subitem_subject_language":"ja","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"芸術音楽におけるパラダイム転換","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"芸術音楽におけるパラダイム転換","subitem_title_language":"ja"},{"subitem_title":"Paradigm Shift in Art Music","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"18","path":["1692324926354"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2023-08-18"},"publish_date":"2023-08-18","publish_status":"0","recid":"2000003","relation_version_is_last":true,"title":["芸術音楽におけるパラダイム転換"],"weko_creator_id":"18","weko_shared_id":-1},"updated":"2024-03-08T04:59:57.645893+00:00"}